Community broadcasting is a large but under-appreciated alternative voice. Community radio is a highly innovative medium, provides skilled personnel to the commercial sector and has always been important in developing new forms, types and types of radio. The ability to imagine an audience is critical to the processes of radio production however the field of community broadcasting suffers a notable absence of audience research. To that end, the researchers conducted the first national qualitative study of the Australian community broadcasting sector in 2007. Their objective was to reveal some of the ways audiences use local radio and television as a cultural resource. This is important because community broadcasting achieves large and diverse audiences.
However the industry has a problem gaining attention from decision-makers. Although community radio licences vastly outnumber commercial licences they are dwarfed by the financial clout of the latter. The community sector has an annual budget of $51 million compared to the estimated $12 billion industry that is commercial radio. Yet despite the disparity, it is the community sector which is far more diverse, producing more local content, news, music and culture than its richer cousins. Margaret Simons described community broadcasting as the “most diverse if not the most polished sector in the Australian media”. Whereas the commercial media depend upon advertising revenue, the community broadcasting sector survives on subscriptions, donations, sponsorship and fundraising. Minority groups tend to be marginalised because of the commercial imperatives in media production. The aim of the researchers was to uncover evidence that could convince legislators of the worth of the marginalised community broadcasting media.
The people with most to gain from the research were the stakeholders in the community broadcasting industry. The research was paid for by an ARC Linkage Grant funded jointly by the Australian Research Council and the federal Department of Communication, Information Technology and the Arts (DCITA) through the Community Broadcasting Foundation. There was also ‘in-kind’ support from other industry stakeholders including the Community Broadcasting Association of Australia, and Indigenous, ethnic, and print handicapped media groups. Institutional audience research has a close relationship with the politics of power and competition for market share and is tied up with the strategies and plans of stakeholders to prosecute their own agendas. All of the community broadcasting stakeholders expected the research to justify funding of their constituency.
In addition, the community television (CTV) industry has a particular problem which it hopes the survey results will help solve. CTV has been in a policy limbo since the early 1990s and has so far been frozen out of the move to the digital spectrum. The industry has been losing tens of thousands of viewers annually as digital set-top boxes prevent easy access to its analogue signals. The research results were announced just months after a parliamentary enquiry said CTV would die unless the Government set aside digital broadcasting spectrum for community television. It also follows the 2007 annual budget which gave no money to CTV to help it upgrade to digital. One aim therefore of the research is to put the move to digital back on the government agenda. That pressure will now be applied to the new Labor Government in the year ahead.
The research also monitored the Indigenous community broadcasting scene. Aboriginal Australians have longed pressed the view that electronic media, especially radio, is a vital resource for them given their widespread lack of literacy. However Meadows has noted elsewhere difficulties of suspicion and trust in researching Indigenous issues. To get around this requires careful fieldwork incorporating the perspectives of those studied. To this end, the group invited listeners to call into the radio show “TalkBlack” as well as conducting focus groups and attending community cultural events across the country. The field research confirmed that audiences see Indigenous radio and television as “essential services”. Community broadcasting emerged as an important public space for Indigenous culture.
While community broadcasting blossoms in Australia, it still pales in comparison to the explosive rise of the online media. The second case study chosen for analysis is An Nguyen’s paper which concentrates on the rise of Participatory Publishing (hereafter called PP) and its implications for journalism and audiences. As consumers seek more news from different sources, journalism will undergo changes as it seeks to accommodate fragmenting audiences. Nguyen defines PP as the act of a citizen or citizens collecting and disseminating information in order to provide independent and accurate information. Examples of PP include weblogs, email lists, bulletin boards, online forums, chat rooms and collaborative publishing websites. The vast range of easy-to-use tools has given every citizen the potential to be a reporter. However tangible evidence of the contribution of blogs to mainstream journalism remains scarce. Nguyen’s objective was to study the health of this growing sector and the implications of news as a mode of popular expression.
Nguyen was also keen to encourage debate among journalistic educators about those implications. He makes the case that journalism education would benefit from embracing PP both in theory and practice. At the time of the research, An Nguyen was a Ph D student studying public adoption and social impact of online news at the University of Queensland. His research was funded by a federal government International Postgraduate Research Scholarship. Nguyen now teaches journalism part-time at the University of Queensland and the Queensland University of Technology so he does have a vested interest in the research outcome. Nevertheless, his point about journalism educators embracing PP is well made as the Internet continues its apparently inexorable growth.
The timing of the research coincided with an exponential increase in PP. Blogging is the most pervasive form of PP and the numbers of blogs have exploded from a handful in 1999 to 14.2 million in 2005. This has created a wider range of participants in the field of journalism including those that Jay Rosen described as “the people formerly known as the audience”. These participants have the capability of performing “random acts of journalism” merely by pointing out whatever they stumble upon in their web surfing. In this audience-sender model, communication is normative and audience members are essentially participants. However critics of news media assert that journalists are unaware of their audiences’ real interests. Research has shown that over a third of all Australian journalists reported having their copy changed in the newsroom to increase audience appeal. Journalists also frequently complain they have limited access to demographic data and readership survey information. This lack of audience knowledge is as much a problem for online journalism as it is the more traditional forms of print and broadcasting.
But Nguyen also admits the industry is vibrant, something it shares in common with the community broadcasting sector. Both sectors are part of the gift economy. This is defined as people giving their best thoughts free or for very little reward. They rely on participants to freely donate their time and enthusiasm. It is critical then, that the overarching theme of both case studies is the issue of empowerment and a sense of agency. Both studies are concerned with negotiating media meaning and are more interested in what audiences do with media rather than what media does to audiences. While the ultimate object is different for each case study, they are both third generation constructionist view of audience research. The main focus is not audience reception but rather to gain a grasp of contemporary media culture particularly about its role in everyday life. With mainstream journalists being denounced as little more than “process workers manipulating information for commercial purposes”, alternative media can shape a significant part of that culture. What Hartley wrote about the alternative press in the 1980s holds true today for community broadcasting and blogs: they have turned away from the mass and seek to build counter-hegemonic consciousness in specific cultural and political constituencies. The media has been constructed as central to the experience of living and full participation in a mediated social sphere is conditional on access and use of media technologies. Both case studies chosen address gaps in the knowledge of what audiences do with participatory media. They are both on the ‘pro audience’ end of McQuail’s audience research spectrum, that is they take the perspective and ‘side’ of the audience and are about “people seeking to satisfy their media needs”. For both media the research is showing the biggest problem preventing empowerment is the distribution system. In an era of concentrated global news ownership, maintaining access to these alternative voices has never been more important.
The two case studies have added greatly to our knowledge of Australian participatory media. The community broadcasting sector can use the rich qualitative nature of the evidence to both cement its place in the national culture and also lobby for a seat at the digital table. The participatory publishing industry faces slightly different challenges as it copes with exponential growth. The journalism education model needs to adapt to the new world as do the corporate giants of the old media. But thanks to the vibrancy of its participants and the strength of the audiences, the future looks bright for both community broadcasting and participatory publishing. The two case studies have provided a blueprint of empowerment for the future.
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