Showing posts with label journalism. Show all posts
Showing posts with label journalism. Show all posts

Saturday, December 29, 2012

Brian Leveson - media personality 2012


The 2012 Woolly Days media person of the year is Brian Leveson. Leveson is a jurist not a journalist but his impact on journalism and the world of media this year has been profound. 

The year 2012 will not go down as a great year for the world’s media. While the world’s business-as-usual pattern of production and consumption sees it barrelling down a path towards a 4 degree increase in temperature by 2100, the focus of most media attention is ever increasingly the deeply superficial.  

Commercial media have always fulfilled two purposes: to make money and to inform but it is the profit imperative which is winning clearly at the moment. The large multi-national conglomerates that own media stock look no further than the bottom line when it comes to meeting deadlines. Issues like news values and ethics are a poor second if there is no payback. Meanwhile shareholder disquiet of falling ratings or circulations can be managed quarter to quarter by cost cutting and doing more with less.  There is as a result according to Michael Mandel, a “shift in journalistic employment to non-traditional industries, an increased in the self-employed, a delayering of journalism, and perhaps lower pay.”

Brian Leveson admitted as much on his recent visit to Melbourne. The closure of a large number of newspapers has reduced the extent to which local government, health, education and the courts can be held to account. “Society will be less well served as a result”, he said. Yet Leveson was aware that even if journalism jobs are becoming diffused and of less value, the media they serve remain powerful players as editorialists, chroniclers, sensemakers, muckrakers and watchdogs. 

Their contract with the public to perform these roles is based on trust. The one-to-many broadcast model of television and the major papers ensured they always had the microphone to drown dissent. The internet and web2.0 changed all that and disapproval can amplify virally if compelling enough. The web further undermined the media’s privileged modus operandi by allowing a multiplicity of blog voices harvesting free online content often with more sagacity and insight than the journalists. Social media has forced big media to become more humble in their dealings with the public they profess to “serve”.

There remains pockets of strong resistance, with Rupert Murdoch’s News Corp leading the counter-assault. This old fashioned news and entertainment empire (one of the few not owned by a non-news company) remains convinced it does not need to answer its critics. China is a rare failure but In the US, Fox News is highly successful while his 2011 plan to buy the 60.9 percent of British cable company BSkyB it did not own was just a whisker away from being successful when undone by fine journalism. 

Revelations by the Guardian journalist Nick Davies and his editor Alan Rusbridger brought the sordid hacking affair to light. The shadowy practices not only showed the need for profit greatly exceeded all other motives but described the contempt News had for its own audience. With the weight of evidence growing Prime Minister David Cameron appointed Justice Leveson in June 2011 to investigate the culture, practices and ethics of the British press as well as the dealings between the press, politicians and the police.

As testimony followed testimony, it was clear much was rotten in Murdoch’s hamlet.  It wasn’t just the attitude that privacy was for paedo’s as former News of the World journalist Paul McMullan espoused, it was the scene of serious crime. As November 2012, there had been 90 arrests on charges of interception of mobile phone messages, payment to public officials, data intrusion. The Inquiry would expose potentially corrupt dealings between senior members of the media, political parties and the police.

In nearly nine months of oral hearings, almost all available to transcript or watch online, involving 337 witnesses and 300 statements, the Inquiry became “the most public and most concentrated look at the press” Britain had ever seen. It enormous resonance not only in Britain but wherever British legal, ethical and press traditions operate, such as Australia. The numerous celebrities who portrayed themselves as “fair game” to an uncaring media, added to the notoriety of the charges. Australian media were quick to distance themselves from the phone hacking but there but for the grace of god go they at any lengths for a story. 

With such a wide ranging brief, Leveson’s Inquiry had important things to say about plurality of ownership, privacy laws, and regulation of the press, all of which got the media companies quivering in their boots. Leveson was at pains to stress his inquiry was not an attack on press freedom. However, he said, with rights came responsibilities and all too often the press has simply ignored them. Neither the press or the press council ever launched investigations into allegations of serious misdoings such as breaches of data protection or trade in private and confidential information. Indeed when the phone hacking issue was raised, police executing a warrant were driven off the News of the World premises while the Press Complaints Commission criticised the Guardian for publishing the results of their investigations into the cover-up. 

In November 2012 Leveson released his findings in a 2000 page report and 48-page executive summary.   Leveson proposed an independent replacement for the Press Complaints Commission which he said had no regulatory powers. It would have a dual role of promoting high standards of journalism while protecting the role of the individual. The new body would not include serving editors or politicians and it could impose fines and direct the appearance of corrections. 

Leveson said participation needed to be universal for the body to be properly funded and succeed in its purpose. Those that declined to be involved would forfeit the right to the in-built arbitration process and therefore could not claim costs of any civil action even if they won because they had refused the cheaper route to justice. Leveson said such a body would not regulate the press.  He did not advocate prior restraint (a point of honour with the British press since Milton’s Areopagitica in 1644). He acknowledged how the important role media plays in society “as a critical witness of events” and accepted that media and journalists have several necessary privileges under the law as “one of the true safeguards of our democracy”. Leveson said his legislation would in fact enshrine “for the first time, a legal duty on the Government to protect the freedom of the press”.

However, the media did not see it that way.  Every newspaper in Britain except the Guardian rushed to denounce Leveson’s key recommendation. Biggest selling paper The Sun said it was “deeply alarmed” by the prospect of “State control of newspapers.” “Such a law could allow State officials to walk into papers like The Sun and censor stories,” it said. The Express also worried about political aprons: “To put politicians in ultimate regulatory control of newspapers and then expect them never to seek to use that power to constrain criticism or scrutiny is to place in them a degree of trust they frankly do not deserve.” 

Prime Minister David Cameron – himself implicated by the evidence of the over-close relationship between press and politics – plumped for the press over Leveson. He expressed his reservations over the legislation for the independent process to recognise the new self-regulatory body.  “For the first time we would have crossed the Rubicon of writing elements of press regulation into the law of the land,” Cameron said. “We should I believe be wary of any legislation that has the potential to infringe free speech and a free press.”

High profile hacking victims such as JK Rowling expressed dismay at Cameron’s speech. “"Having taken David Cameron's assurances in good faith at the outset of the inquiry he set up, I am merely one among many who feel duped and angry in its wake," she said. The Hacked Off coalition gained 100,000 signatures calling on the government to comply with Leveson’s findings. Cameron’s coalition partners the Lib Dems are among them, so the matter rolls on, awaiting further political arbitration in the new year.

If Cameron didn’t reckon for the public outcry, then Leveson certainly did. He predicted the victims and the public would not accept the outcome “if the industry did not grasp the opportunity”. Following seven inquiries into the British press in 70 years, it “did not make sense to contemplate an eighth.” Whether short-term interest will prevail is a moot point, as is the longevity of the media’s powers of influence. What is not in doubt is that Brian Leveson has done us all a favour by pointing a strong light on its problems. Maybe then, the media can return to the problems that affect the rest of us. 

Previous Woolly Days media personalities of the year


Tuesday, December 11, 2012

Business Issues: On 2DayFM and the death of a woman in London.

When looking for culprits in any suspicious death,  it is safe to assume someone running away from the scene, has something to hide. On Saturday, two of Australia’s largest companies,  Coles and Telstra were seen running away from Southern Cross Austereo’s radio station 2Day FM with indecent haste after one of Sydney station’s prank calls apparently led to the suicide death of a nurse in a faraway London four days later.

It is safe to assume that despite their infantile behaviour with the prank, 2Day FM DJs Michael “MC” Christian and Mel Greig never intended to cause harm to any of the participants. After being hiding for several days, the company wheeled them out to tell their stories to Channel's 7 and 9 tonight. They have both apologised which is more than can be said  of station management and its legal advisers who reviewed and approved the tape before it was played on air. No doubt the justification for not spiking it was the media attention it was going to get for so easily breaching royal security.

Today seems so far from last Wednesday, when two jolly 2Day FM station hosts were conducting the breezy on air patter beloved of  morning FM radio stations across the planet, They told listeners they had hold of the telephone number at King Edward VII Hospital in London where Kate Middleton was  staying. Michael “MC” Christian informed listeners they would “try and get Kate Middleton or even Prince Wills on the line”. They did not tell listeners this was not live.

Michael was to act the role of Prince Charles, Mel was the Queen and another staff member provided the yelps for a royal corgi.  How the hospital did not see beyond this half-baked plot remains a mystery especially when the fake upper class accent of Greig (supposedly the Queen) asks to speak for “Kate, my granddaughter.”
Nurse Jacintha Saldanha  didn’t ask for any further proof of identification (glossing over the fact the Queen is not Kate’s grandmother) and passed the caller onto Kate’s ward. There another nurse was further duped by Mel, Michael and the corgi’s increasing ludicrous vaudeville acting into revealing matters of the patient’s health.

Saldanha may have died of the shame of being so duped and breaching a trust of confidence but no one comes out of this smelling of roses.

This is astonishingly poor risk management by Austereo, particularly as they must have known they were dealing with material of international important given the worldwide prurient interest in the Royal Couple and their future baby.  There is a case the material should be in the public domain, particularly as an expose of poor hospital security protocols but Austereo presumably didn’t think they could make money that way.

So they played it for laughs.  There was some negative reaction in the days that followed but mostly they got away with  it.  Grandfather-to-be Prince Charles joked about it asking newspaper reporters “How do you know I’m not a radio station?  Meanwhile British newspapers gleefully repeated  some of the juicy titbits the second nurse gave to 2Day FM.

Then Saldanha died on Saturday, and no one was laughing. British media  and social networks became holier than thou and launched a firestorm of protest against the station and its two DJs. Mel and Michael were whisked away into hiding and their twitter accounts summarily deleted.

Others fled quickly too with reports of Telstra and Coles speedily ceasing their advertising with 2DayFM (but not Southern Cross Austereo’s other stations).  Telstra told AAP they had suspended “advertising on the station until an investigation into the issue has concluded”. Neither they nor Coles issued media releases to confirm their actions. A check of Coles newsroom boasts “there’s always something new happening at Coles,” but they didn’t see their abandonment of 2DayFM in their moment of crisis newsworthy of a media release.

What Coles did do was put their justification on Facebook.
We understand Australians are clearly angry and upset by what appear to be tragic consequences of the 2Day FM UK hospital prank,” the retailer wrote.
“We have wanted to let you know we have instructed 2Day FM to remove all Coles group advertising from the station as soon as possible.”

That post brought almost 2000 comments with also half the respondents thinking Coles’ reaction was over the top.
 “It was a funny joke, get over it", said Anthony Paino before reminding Coles of other things they should boycott. ‘ How about your remove all caged eggs and pork from your shelves," he said.

Helz Jessop asked would they stop selling alcohol if they killed someone drink driving while Abbi Hamilton was looking for patriotism: “Why not do something proper and remove all imported food and drinks from your aisles?" she said.

Phil Young said it was advertisers like Coles that  made the radio stations "untouchable and unaccountable,” Young said. “Now that Coles have suddenly got a conscience they might look at some of the other stuff they are involved in that causes harm.”

Coles can attempt to take the high ground with their move. But the fact remains they only boycotted it after Saldanha’s death - they presumably thought the content was not objectionable at the time as it was played.

The big companies' rapid stampede to the exit after the media firestorm on Saturday caused the station to cover their tracks similar to the way it handled stablemate Alan Jones’s “died of shame” comment. A spokeswoman for Austereo, Sandy Kay,let the cat out of the bag when she confirmed to AAP that there would be no advertising on 2Day FM over the weekend. 

"We have suspended advertising at least until Monday on that radio station in Sydney out of respect to advertisers until business issues can really be addressed,' Kay said.  It was respect to advertisers Austereo was worried about, not respect to the dead woman.

And what did Kay mean by “business issues” that could be resolved in a couple of days? Perhaps she was thinking the Jones boycott lasted only a couple of weeks and advertisers were desperate to be associated with their high-rating product no matter how juvenile or crass the consequences.

Mel and Michael were idiots but they were just doing what the station and their advertisers expected of them. As radio DJ Jason ‘Jabba’ Davis said audiences want to be in on the joke.
“As broadcasters we want to make people laugh, but we need to pull it off without dishing out grief to the undeserving,” Davis said.
  
 If you are feeling suicidal, don’t mess around. Call Lifeline on 13 11 14

Saturday, October 20, 2012

A new news beast: Newsweek goes digital




In an interview that could easily have passed for Fox talking to Murdoch, the Newsweek Daily Beast Company sat down with its editor-and-chief and founder Tina Brown to discuss the end of print at the venerable magazine Newsweek.  Newsweek fell into the hands of Brown and Beast two years ago but have been unable to resist sliding circulation and rising costs. The last print edition will be December 31.


Brown was on “Newsbeast” this week seated next to the company’s new CEO Baba Shetty as they said why Newsweek was shedding staff and its print publication.  For Brown, it about protection, both of journalists and content. Senior suited-up columnist John Avlon lollypopped his bosses with the opening question phrased as a statement: “So we are taking the bull by the horns, going all digital…”
“We are,” replied Brown.  “We must embrace the future.”  
Newsweek was 80 years old, she said. and it was time to start looking at the next 80 years.  

Brown, like many editors before her, conceded defeat for print.  

The industry has reached a tipping point and it was no longer a case if but when, she said.

And “when” said Brown, might as well be “now”.
“We decided to take away the when and…embrace it, be ready for it.”

Avlon turned the discussion to Shetty with management speak.
“Being proactive not reactive is always a good idea…”
“Yes,” replied Shetty, who unlike Avlon, was dressed down with a jumper and shirt.
The new CEO, a “brand guru”, said Newsweek was a great brand and a powerful media icon but was encumbered by “the form factor” and its economics. Taking away issues of physical printing distribution and circulation by porting the core product to digital would be “incredibly liberating”, Shetty said.

Consumers were moving to digital and advertisers would want to be there to grab these audiences, he said. Tablet devices, web usage for news, and social news meant it made perfect sense for Newsweek to now go “completely native on digital”. 

Brown gave an economic rationale to back it up. She said it cost Newsweek $42m a year to print, manufacture and distribute "before you’ve even paid one writer or one intern".
“That’s an enormous albatross,” Brown said.
“We thought it was more important to protect the journalists, the contents, the photographers, the ideas.” 
Brown said she wanted a digital Newsweek to focus on the marketplace of ideas.

But how then, would it be different to the Daily Beast, also entirely online, asked Avlon.
Shetty said they were “incredibly complementary".
In four years, the Beast had gone from a start-up to a site with 15 million visitors a month, up 70 percent since 2011, a huge spike in readership and engagement.
Many were “lean forward, participatory, multiple visits a day,” Shetty said. “The Daily Beast is indispensable in many people’s information diet.”
A healthy portion of this traffic was generated each week by Newsweek’s strong original journalism. Newsweek, said Shetty, “a step removed”,  offered more considered, thoughtful, long-form journalism. 

Brown said the the Daily Beast and Newsweek spoke to “the same reader in different moods”.  The Daily Beast offered news that was “hot and happening” while Newsweek appealed to the ipad reader on the train home. But, she said, they offered the same sensibility: reflection, context and “a thorough look at what was happening in the world”. 

Avlon steered the conversation to the new brand: Newsweek Global.  CEO Shetty called it a terrific new perspective and described who the product would appeal to: “The mobile, highly informed, highly engaged, person very aware of what is happening over the globe.”
He said removing legacy print, meant Newsweek could re-interpret what it could be in pure digital form. Brown said the Daily Beast now appealed to a similar global reader who lived in India, London or Brazil.

Brown said one of the focuses was on “really powerful live events” including ones they had organised like Women in the World. which has an associated foundation which last week launched a campaign for education of girls in Pakistan with Angelina Jolie, hot on the heels of the shooting of 14-year-old education campaigner Malala Yousafzai.

All aspects of the company, said Brown were “now playing together” but print was the anomaly. Getting rid of it went with “enormous regret” as some “incredible brilliant talent” would be leaving the company but it was “the right decision for the company.” Avlon concluded that in terms of content that was “good news for journalists” and an exciting new opportunity” before nodding to the camera to end the interview.

The Daily Beast article that went with the video, gave some statistics to back up the “tipping point” :
There are now 70m tablet users in the US, up from 13m in two years. A further explosion of use is likely, especially as two in five Americans get their news online, a number that is also growing.
“Exiting print is an extremely difficult moment for all of us who love the romance of print and the unique weekly camaraderie of those hectic hours before the close on Friday night,” the article concluded. "But as we head for the 80th anniversary of Newsweek next year we must sustain the journalism that gives the magazine its purpose—and embrace the all-digital future.”

Sunday, September 30, 2012

“We’ve got some explaining to do”: The hypocrisy of Shep Smith, Fox and 24 hour news.

It is odd despite the everyday nature of 24 hours news and the mass live broadcast  public murder/suicide of  September11, we remain shocked when ugly life happens in front of us. The latest outbreak of ugly life outrage occurred today, when Fox News apologised for showing a suicide from a live car chase in Arizona.

Shep Smith was the on air man providing explanation and context for Fox News viewers in the god voice from the point of view of the TV helicopter. As rhe chase ended on a dirt road, the hinted man went berserk  He staggered around like a hunted deer in the spotlights fleeing from police but unable to escape the glare of the helicopter.  Clearly cornered, this might have been the moment to end live coverage and let ;police do the job. Instead the camera kept rolling while Smith struggled with the interpretation for his viewers. “I would just- he is looking rather erratic, isn’t he?,” said Smith sounding less godlike by the second.

While Smith waited for re-assurance from somewhere, his filled pauses of ums and dunnos and oh mys questioned what was happening. Both cornered men were increasingly out of options. “Well, it looks like he’s a little disoriented or something…” Smith suggested about the other, desperate to re-assure viewers this could never happen to them "...It’s always possible he could be on something.” While Smith invented the news, the cameras rolled on.

Utterly helpless and hopeless, the man reached for a gun and killed himself. After a second, the video jerks back to the studio. There is the strange sight of Smith issuing repeated cries “get off” for six seconds. Each call is more urgent than the last, until he shouts one final “GET OFF IT”. He turns away from the camera before they finally break for an ad claiming to be for “mesothelioma families” - Call Now 1-800-444-Meso - but is actually for lawyers.

When he returned Smith didn’t apologise for the fake ad but there was extraordinary grovelling for airing the suicide footage. “We’ve got some explaining to do,” began Smith. With the “we” Smith spread the blame across the organisation. “While we were taking that car chase and showing it to you live, when the guy pulled out of the vehicle, they went on five second delay. So that’s why I didn’t talk for about ten seconds,” he said. “We created a five second delay as if you were to bleep back your DVR five seconds, that’s what we did with the picture we were showing you. So that if we would see in the studio five seconds before you did, so that if anything went horribly wrong, we’d be able to cut away from it without subjecting you it.” Smith paused before adding “And we really messed up.”

The mess up was not only the suicide but the strange editing error that followed immediately after it (36 seconds into the video) that makes a double-voiced Shep say incoherently “I am all very sorry”. Shep said the footage “didn’t belong on TV” but he didn’t explain why. Instead he worried about the internal systems that failed to keep the content out. “We took every precaution, we knew how to keep that from being on TV,” he said. “And I personally apologise to you that is what happened. “

Looking to the side rather than direct into the camera, Shep continued: “Sometimes we see a lot of things we don’t let get to you, because it is not time appropriate, it’s insensitive, it’s just wrong. “ He turned back to face the camera. “And that was wrong. And that won’t happen again on my watch and I’m sorry,” he said. “We’ll update you on that guy and how that went down tonight on the Fox Report.” Smith repeated he was sorry and then changed his voice to uplift for the next story: “Now, the attack on…” The show must go on.

A lot of people weren’t going to wait for the Fox report or Shep's watch to see “how it went down.” His audience protection argument might have worked 10 years ago but not any more. It wouldn't take long for someone to send the footage viral. Gawker were quick off the mark with a link with caution to the original footage via Buzzfeed as well as the strange apology.

The first Gawker commenter picks up an obvious problem: “I'm confused. If they went to 10 second  delay, how did the suicide end up on screen anyway? I don't understand Shep's explanation,” Scout’s Honour said. It was five seconds not ten, but the point holds up. Fox News overplayed its hand while Shep struggled and while it recovered in one second, it took the host six seconds to realise they had recovered. In panic, Shep did not realise for five seconds, someone has pressed “dump” button out of the broadcast. He was shouting at the delayed footage.

It was a category error on several levels that asked many questions of Fox and 24 hour news. Car chases are popular time sinks for the networks and easy to follow by helicopter.  When a chase unfolded on air in 2009, Smith quipped on air about the energiser bunny and how he had enjoyed this type of entertainment for many years. So after Buzzfeed, Gawker and others quickly pounced on the mistake, it was surprising to hear several journalists blame the messenger. The Columbia Journalism Review tweeted, “Who's worse? @FoxNews for airing the suicide, or @BuzzFeed for re-posting the video just in case you missed it the first time?” while Reuters social media editor Anthony De Rosa asked “Why is Buzzfeed sharing a suicide video?”

Al Tomkins in Poynter answered both questions saying the Fox hypocrisy deserved to be given the widest audience . Tomkins ask for the guidelines for broadcasting chases. Are they prepared to air the worst possible outcome from an unfolding story? What outcomes are they not willing to air? Why? How do they know know the worst possible outcome will not occur?   Broadcasters will ignore Tomkins' inconvenient questions about motivations and consequences and show them for the same reason they show the 1-800-444-Meso ads: They make money.

Tompkins acknowledged chase coverage could be is useful for people near the scene. But his unspoken argument was that they served mostly commercial ends. “These are humans involved, struggling with their lives as we transform them into “stories,” he said. “They are humans, they are not ratings points.” But as long as there are ratings points, we will have to put up with the occasional pious homily about live deaths.

Tuesday, July 31, 2012

In praise of countrymindedness Part 1


The back of the Wallumbilla grain shed (Derek Barry)
What lessons do Australian country newspapers offer to the wider industry? Rural newspapers are the poor cousins and the entry rung to the profession. Numbers of staff, audiences, resources, profits and influence are all small compared to the national and metro dailies. Their digital imprint and reach is also tiny compared to the big metro companies (Nguyen, Ferrier, Western, and McKay, 2005). Many regional papers (like the the Western Star until recently) do not have a content based website[1]. Practitioners in rural journalism tend to be new to the industry, most are young and inexperienced and low paid. Academically the sector is under-researched. 

Yet there are subtle differences in media practices in country areas that warrant closer attention.  Some of those differences are cultural. Though urbanisation has been the dominant experience for a majority of Australians since the 19th century (Glynn 1970, pp.76-77), Ward's classic The Australian Legend (1958) argued the Australian bush has always informed the national character through its notions of egalitarianism. In the US, Putnam has shown country areas, small town and rural people are more altruistic, honest and trusting than their urban counterparts (2000, p.205). Australian studies show similar findings with more community involvement in non-metropolitan areas (Bureau of Transport and Regional Economics 2005, p.xix).   

There is also a strong bond between Australian country papers and their audiences (Bowd 2010). That bond was initially formed by, as Kirkpatrick (1999) put it, “countrymindedness” which was born of the isolation of country areas - “the tyranny of distance” (Pretty 1993, p.77). Newspapers loudly articulated their editorial support for the country lifestyle. Writing four years after Ward, McLuhan (1962) [2]) predicted a move away from 20th century individualism and fragmentation towards an inter-connected global village. Today’s Internet, fast broadband and social networks are enabling McLuhan’s global neighbourhood where Ward’s sense of bush egalitarianism and country trust could turn out to be useful assets.

Kirkpatrick’s countrymindedness also has other global parallels, particularly with development journalism in non-western countries where newspapers still thrive. Development communication sees mass media as agents of social change (Stevenson 1994, p.232) based on a foundation of respect for local knowledge (Loos 1994, p.2). Country journalists live and work closely among their readers and are impacted by them.  Readers know their local journalists and are in a position to form bonds of trust for mutual gain. In this situation, journalists are not neutral observers but communicators who change themselves as much as what they effect (Loos in Bowd 2003, p.126). The news is still reported fairly, but the newspaper is clearly on the side of its community than in urban areas and the community is on the side of the newspaper. Readers can and do still find fault with rural publications. But no matter how bad the papers are, they will always belong to the readers.

Part 2 will look at the international scene.


[1] The Western Star is now online with fellow SW Qld papers at www.suratbasin.com.au. However a Google search for the Western Star online will return an APN (publishers of the Western Star) website with information about the paper but no editorial content.
[2] The Gutenberg Galaxy was originally written in 1962.


Bowd, K. (2003), “How different is ‘different’? Australian Country Newspapers and Development Journalism”, Asia Pacific Media Educator, Issue No 14, December 2003.
Bowd, K. (2010) “’Did you see that in the paper?’ country newspapers and perceptions of local ‘ownership’”, Australian Journalism Review, 31 (1) pp. 49-61.
Bureau of Transport and Regional Economics (2005) Focus on regions no. 4: social capital, Department of Transport and Regional Services, Canberra
Glynn, S. (1970) Urbanisation in Australian history, Thomas Nelson, Melbourne
Kirkpatrick, R. (1999) “House of Unelected Representatives: The Provincial Press 1825-1900” in A. Curthoys and J. Schultz (eds.) Journalism: Print, Politics and Popular Culture, University of Queensland Press, Brisbane.
Loos, E. (1994) “Teaching development journalism in the reporting of cultural diversity”, Australian Journalism Review, 16(2) July-December 1-10  
McLuhan, M. (1971 edition - originally 1962), The Gutenberg Galaxy: the making of typographic man, Routledge & Kegan Paul, London
Nguyen, A, Ferrier E, Western, M and McKay, S. (2005) “Online news in Australia: Patterns of use and gratification”, Australian Studies in Journalism, v.15   
Pretty, K. (1993) “Dusting off the grassroots: A survey of Australian country journalists”, Australian Studies in Journalism, Issue No 2 75-123.
Putnam, R. (2000) Bowling Alone: The collapse and revival of American community, Touchstone, New York.
Stevenson, R. (1994) Global Communication in the 21st Century, Longman, New York 

Ward, R. (1958) The Australian Legend, Oxford University Press, Melbourne